The Crowded Room: 1.10 ‘Judgment’... Hi Tom fans! The Crowded Room has come to an end. I have...
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02 / 25

Tom Holland for W Magazine

Tom is featured in W Magazine’s annual Best Performances issue. Check out the photos in the gallery and read the interview below!

W MAGAZINE – Tom Holland had played Spider-Man in three different movies by the Russo brothers when the directors decided to change things up. For what would become the collaborators’ fourth film together, Cherry, the Russos proposed that Holland play a bank-robbing heroin addict. It was a break from the Marvel universe if ever there was one, and the 24-year-old seized his chance. For W’s annual Best Performances issue, Holland reflects on the evolution of his acting career.

What was the first thing you auditioned for?

When I was 8 or 9, I auditioned for every role in Romeo and Juliet, including Juliet, and I didn’t get a single part. When I was 11, I booked Billy Elliot; that was the first job I ever booked. I couldn’t dance, but trainers would come to my school and teach me at lunch. I was at a rugby school, so doing ballet in tights in the school gym wasn’t the coolest of things to do, but it paid off.

Early on, you played rugby. Do you still play?

No. Everyone grew and got really big, and I stayed really small. So I had to find a sport where I wasn’t getting battered all the time. Golf seemed like the most logical decision. I’ve probably been playing for about 10 years. I have more golf outfits than regular clothes.

What was the first movie that you booked?

The Impossible, which is a Juan Antonio Bayona film, and also the first audition I ever had for a film. It was an amazing experience. I got the chance to work with Ewan McGregor and Naomi Watts. That was the first time I realized that I could be an actor and it was something that I could do for the rest of my life. I immediately fell in love with the idea of making movies, and was so lucky that afterward people really responded to the film.

In Cherry, you play a lovelorn soldier who becomes a drug addict and robs banks to pay for his heroin. What was the hardest part of portraying this character?

Physically and mentally, the dope life portion of the film is the most demanding. It was really hard to bounce between different versions of my character.

How did you first get involved with the film?

It’s directed by the Russo brothers, whom I’ve obviously worked with many times before in the Marvel universe. They took me aside and told me they were doing this small independent feature. I was really touched that, of all the people they could have worked with, they wanted me to play the lead. They’ve changed my life in so many different ways and continue to look after me, so I owe a lot to the Russos.

What’s the key to doing an American accent? Yours is remarkable in Cherry.

Just hard work, really. I’m very lucky. My dialect coach, Rick Lipton, who goes by Pretty Ricky, is one of my best mates. We’ve been working together for years now—I think we’re coming up on our 10th or 12th movie together. We just put the work in, practice, practice, practice, and get it done.
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02 / 18

Tom Holland for Backstage Magazine

Tom is featured on the cover of Backstage magazine. Check out the photoshoot and interview below!

BACKSTAGE – He may be best known for playing one of the most famous teenagers around, but don’t let his boyish charisma fool you—Tom Holland has been performing on stage and screen for over half his life. Consistently employed throughout his adolescence and into adulthood, the 24-year-old has become one of the most bankable movie stars working today thanks to his turn as Spider-Man in the Marvel Cinematic Universe. Through it all, he has dodged the dramatics of TMZ-fueled virality (unless you count his gender-bending lip-sync performance of Rihanna’s “Umbrella” in 2017). In other words, one could call his career a Hollywood anomaly.

“I think what I’ve done well is I’m really good at being able to dictate when I’m in the spotlight,” he says of balancing his public and private lives. “When I’m at home, I live such a boring life that the paparazzi don’t want to take pictures of me. I’m with my dog, I meet my mates, we go play golf, we go to the pub, we go to sleep, and then we wake up and do the same thing again.” That is, until he’s filming his latest “Spider-Man” installment, which he’s on a brief respite from as he speaks to Backstage from a Los Angeles hotel.

Holland’s calculated give-and-take with fame, fans, and family only comes after years of experience and mentorship. A natural talent, the London-born performer enrolled in hip-hop classes at a local dance school called Nifty Feet after his mother noticed him holding rhythm while strutting around to Janet Jackson’s “Together Again.” At age 9, he was scouted by choreographer Lynne Page; he soon began rigorous training in ballet for the West End’s Olivier Award–winning “Billy Elliot: The Musical,” which marked his professional debut just after his 12th birthday. He took his final bow as Billy two years later and began chipping away at a career in film.

In past interviews, thinking back to his early days in the industry, he described growing up with an author-comedian father, a photographer mother, and three younger brothers as living in “the most un–child-actor household possible.” Throughout our time together, he speaks of his parents with genuine reverence, sprinkling valuable life lessons they’ve taught him on self-respect and handling rejection. And he’s conspicuously close with his brothers, with whom he heads the Brothers Trust charity fund, an effort he’s “most proud of” on his list of many accomplishments. That’s not to mention that he’s also working on a “massively ambitious” feature film script with his brother Harry that they intend to one day direct together. (“I’m sure when we finally take it to a studio, they’re going to laugh at us when we say that we want to direct it,” he admits. “But it’s our script, and if they want us, they’re gonna have to have all of us.”)

Such an unwavering support system certainly was useful through the growing pains of life as a young artist, not the least of which included getting bullied for wearing tights at a ballet barre while other boys his age were playing rugby. Much has already been said about those rough patches and how Holland persevered; he relayed to GQ in 2019 that “it’s just what I had to do if I wanted to get this job,” and to People two years earlier that “you couldn’t hit me hard enough to stop me from doing it.” But what’s most fascinating, speaking with Holland about his dance background today, isn’t the schoolyard incidents it may have incited, but the way his training all those years ago has influenced pretty much everything he does onscreen, no matter the genre or role.

Take the obvious example: Peter Parker, aka Spider-Man, a role he landed at 19 in “Captain America: Civil War” and has played in a total of five (going on six) MCU features, including stand-alone films “Spider-Man: Homecoming” and “Spider-Man: Far From Home.” The sheer physicality of web-slinging, high-kicking, and back-flipping (or the demands of any spandexed Marvel gig, for that matter) is informed and enhanced by having a better understanding of one’s body—its movement, and what it looks like when stretched and positioned every which way.
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02 / 09

The Charm (and Grit) of Tom Holland

Tom is on the new cover of Esquire for March. The photoshoot is amazing. You can check out the cover and photos from the shoot in the gallery. I will add scans when I get the issue.

ESQUIRE – In the late fall of 2019, Tom Holland was lying sideways on the floor of a jail cell, sweating, convulsing, throwing up blood. His rusty brown hair had been shaved off; his typically smiling eyes were sunken. Wearing a khaki prison uniform that hung loosely on his frame, he rocked back and forth on the floor, smacking his head against the cement a few times in the process. Then the directors called, “Cut!”

Holland, the twenty-four-year-old British actor best known as Marvel’s friendly neighborhood Spider-Man, the sweet-faced hero of the ever-expanding cinematic universe, was in character for Cherry, a forthcoming film in which he plays an Army medic who returns home from the Iraq war with undiagnosed PTSD, develops a heroin addiction, and starts robbing banks. After filming the scene that takes place in the jail, Holland was a little woozy but still pleased with his performance, so he did what any young person might in a moment of pride: He sent the footage of himself writhing around in the cell to his mother. “Biggest mistake ever,” he says now, grinning. “I was like, ‘This is how my day’s going,’ and she was furious with me.

“I guess I wasn’t thinking right, and I was like, ‘Do you know who would really like to see this? My mum.’ In hindsight, it was a really stupid thing to have done.” He continues: “I think when my mum goes to see my films in particular, the things she likes the most are the moments she goes, ‘Oh, that’s my little boy.’ But in this film there’s nothing like that.”

It’s been more than a year since Cherry wrapped, and now that the color has returned to his cheeks, his mum’s forgiven him. But it took some time for his friends and family to get used to the idea of him headlining this kind of film, which is based on the novel of the same name by Nico Walker, a real-life bank robber–turned–literary darling.

Holland’s parents—Mum is Nicola Frost, a photographer, and Dad is Dominic Holland, a writer and comedian—came around after watching a full cut of the film for a second time. “They were able to enjoy it as a movie and not a biopic of their son doing heroin,” he says. “They are really proud, and they really liked it.”

Satisfying his parents is the most important thing to Holland, and at his age, it’s a desire he hasn’t yet learned to hide. “If I seek anyone’s approval, it would be my parents’,” he says. “That would be the highest level of achievement.” So by this crucial measure, Holland has already succeeded. Now he just has to figure out how to talk about the film with the rest of the world, all while fulfilling his ongoing obligations to Sony and Marvel as the youngest Spider-Man in the history of the role. It’ll be no small feat: His next release takes on the horrors of the opioid crisis, but he’ll have to remain the superhero next door. He wants to please his family, his bosses, and his fans while facing perhaps the biggest challenge of all in the process: being pleased with himself.

Read more at Esquire.com

11 / 24

Tom Holland in the Wild and Woeful Cherry: Exclusive First Look

Vanity Fair has given us the first look at Tom’s new movie Cherry! The movie is set to release in theaters on February 26 and then globally on Apple TV+ on March 12. Check out the stills!

VANITY FAIR – Cherry is a movie that dares you to try and describe it. It’s the first film that Anthony and Joe Russo have directed following their Avengers finales, Infinity War and Endgame, and it reunites them with Spider-Man star Tom Holland. It also compresses their penchant for large-scale action and cataclysm into the core of a single person.

Holland’s title character is both volatile and vulnerable, a hard-knock nobody from Cleveland who’s just scraping by but doesn’t even have any big dreams to guide him. Every solution to his problems only deepens the trouble: College isn’t working out, so Cherry joins the Army to serve in Iraq as a medic. He returns home haunted and damaged, and starts abusing opioids to blunt his PTSD. To pay for the drugs, he resorts to bank robbery. The more desperate he gets, the more banks he has to rob.

Every step is a step down, a progression into the abyss you can see in these images from Vanity Fair’s exclusive first look.

It’s tempting to call this film, which hits theaters first on February 26 and then premieres globally on Apple TV+ on March 12, a smaller, more intimate project from the brothers who made some of Marvel’s most grandiose films. It’s definitely a passion project for them. But Cherry is also a sprawling tale that ventures around the world, albeit locked within the mind of Holland’s sweet-natured, grimly addicted bandit.

“We do think about it as an epic film, and it is very much a person’s life journey,” said Anthony Russo. “But it does have a little bit of a split personality between being this character study and an epic life cycle.”

They described Cherry as six movies in one, spanning from the mid 2000s to the present. “He travels a great distance over a 15-year period,” Joe Russo said. “The movie’s broken up into six chapters that reflect those different periods, and each one has a different tone. It’s shot with different lenses, different production design. One’s got magical realism. Another chapter is absurdism. Another is horror…There’s a bit of gonzo in it. It’s raw in its tone. He’s a character in existential crisis.”

Based on the 2018 novel by Nico Walker, the screenplay was written by the filmmakers’ sister, Angela Russo-Otstot (V, The Shield), and Jessica Goldberg (The Path). “The book was very, very self-aware, self-deprecating, and self-loathing,” Joe said.

They felt a strong connection, even if the story doesn’t necessarily mirror their own. It’s close enough: “We’re from Cleveland and Nico’s from Cleveland. Interestingly enough, we know a lot of people that are implied in the book,” Joe added. “I think he’s fictionalized names and personalities. But I worked at the same restaurant that Nico worked at, 10 years apart. So he had a very similar upbringing to us. He just had a very different journey than we did.”
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10 / 22

First Look at Tom as Nathan Drake in Uncharted

Today on Tom’s instagram, he posted the first official photo of him as Nathan Drake in Uncharted! The movie will be released next year on July 16, 2021.

08 / 13

The Devil All The Time Official Trailer

Some people are just born to be buried.

In Knockemstiff, Ohio and its neighboring backwoods, sinister characters — an unholy preacher (Robert Pattinson), twisted couple (Jason Clarke and Riley Keough), and crooked sheriff (Sebastian Stan) — converge around young Arvin Russell (Tom Holland) as he fights the evil forces that threaten him and his family. Spanning the time between World War II and the Vietnam war, director Antonio Campos’ THE DEVIL ALL THE TIME renders a seductive and horrific landscape that pits the just against the corrupted. Co-starring Bill Skarsgård, Mia Wasikowska, Harry Melling, Haley Bennett, and Pokey LaFarge, this suspenseful, finely-woven tale is adapted from Donald Ray Pollock’s award-winning novel.

08 / 05

The Devil All The Time: Tom Holland Takes On His Darkest Film Yet

We have another new production still of Tom from The Devil All The Time!

EMPIRE – In recent years, Tom Holland has dominated the big screen as the MCU’s Spider-Man – a charming, witty incarnation of Peter Parker with a youth and vitality that sets him apart from the rest of the Marvel roster. But in the likes of The Impossible and The Lost City Of Z, he’s also headed into more dramatic territory – and he’s about to appear in a film that’s as far removed from the Marvel universe as anything he’s done. Holland leads Antonio Campos’ upcoming psychological thriller The Devil All The Time – a sprawling, decade-spanning, multi-generational tale about the trauma of war – coming soon to Netflix, and based on Donald Ray Pollock’s acclaimed novel.

Holland plays Arvin Russell, the son of troubled World War II veteran Willard Russell (played by IT star Bill Skarsgård) – and he’s part of a tapestry of characters that elsewhere takes in Robert Pattinson as an unsettling preacher, Sebastian Stan as a cop, and Jason Clarke and Riley Keough as a pair of loved-up serial killers. Speaking to Empire in the Ultimate Movie Playlist issue, Campos was impressed at how Holland immersed himself in a very different kind of movie.“I don’t believe he does anything without diving headfirst into it and giving himself completely over to it,” he says.

As the disparate stories start to weave together, the film delves into some unsettling territory in an exploration of PTSD, violence and faith. “There are dark things that happen,” says Campos. “But I think that experiencing darkness is not a bad thing when it’s done in the right context. The film is not glorifying violence; it’s trying to understand where it comes from. It’s trying to understand its connection – especially in this country – to faith, and people abusing the power of faith.”

08 / 03

First Look at Tom in The Devil All the Time

Entertainment Weekly has given us the first look at Tom in his upcoming film The Devil All the Time. The film will be released September 16 on Netflix.

Netflix drama The Devil All the Time is the new movie from filmmaker Antonio Campos (Simon Killer, 2016’s Christine) and is based on novelist Donald Ray Pollock’s 2011 family saga of the same name. “It’s a multi-strand narrative set between the end of World War II and the beginning of America’s involvement in Vietnam in which a motley group of characters’ lives all intersect,” says the director.

If Campos is a little secretive about the nature of the film’s plot there is no hiding the star-studded nature of the cast, which includes Bill Skarsgård, Riley Keough, Jason Clarke, Sebastian Stan, Haley Bennett, Mia Wasikowska, Eliza Scanlen, Robert Pattinson, and Tom Holland, who plays the movie’s central, and troubled, character, Arvin Russell.

“I was really eager to work with Antonio because his previous films that I’ve seen are very raw,” says Holland. “I guess it was the challenge of doing a different accent, playing the rural kid, a period film, a new director. Everything ticked the boxes for me.”

“Tom is a very sweet person and a very generous actor but he’s willing to go wherever he needs to go emotionally for the character,” says Campos. “He wanted to go where he had to go. Tom’s electric. He’s sort of sitting there doing nothing and is immensely watchable.”

Robert Pattinson, meanwhile, plays a preacher named Preston Teagardin.

“Rob prepared a bunch of ideas and you don’t know what you’re going to get but it’s all interesting,” says Campos. “The character coming to life — I saw that in front of me when we were on set.”

Although the movie is in large part set in rural Ohio, the director shot the film in Alabama.
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